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I am researching the extraordinary history of the West's relationship to Afghanistan over the past 200 years. It is a very complex, and sometimes weird, story. These are notes on some of the characters and episodes involved.
Part One - 1971
There are many individuals and fragmentary events that have led to the present situation in Afghanistan. But there was a moment in 1971 when four separate things happened in and around Kabul that in their different ways reached back into the past and forward into the future.
That year the BBC sent a film crew to Kabul to recreate the first great military disaster of the British Empire - the retreat from Kabul in 1841. The BBC began by gathering Afghan tribesmen together to be extras. They acted out being taught cricket by the British. The Afghans then pretended to be fierce rebels storming out of the Kabul Bazaar to attack the British camp outside the city.
The BBC's adviser was Louis Dupree.
He was an American who had lived in Kabul since 1955. He will appear in many different ways in this story. But for the moment all you need to know is that he had once walked the route of the British retreat alone in winter, and also that he knew everyone in power in Kabul.
Dupree had noticed that the demonstrations by the students at Kabul University were increasing, and often degenerating into fights. At the end of 1970 he took a photograph of one. It is grainy and indistinct, but he had caught a moment which was to have immense consequences for everyone in Afghanistan, and around the world.

Kabul university had been created by the West, in particular by America and West Germany.
Then the Soviet Union decided they had to pour money in too. So they built the enormous Kabul Polytechnic.
Both were seedbeds for western ideas, Foreign students and teachers from the west had flooded in
and with them came the modern revolutionary ideas from the campuses in Europe and America. And very quickly the Kabul students set up a wide range of Leninist and Maoist groups.
Dupree had captured the moment when those groups had begun to confront a new group of revolutionaries on campus. They were the Islamists. The Islamists too had taken revolutionary ideas from the West but they had fused them with Islam. One of the Islamist groups had found a poem written by a Leninist student that praised Lenin using a term reserved only for the prophet Mohammed.
They sneakily showed it to a group of conservative mullahs in Kabul and all hell broke loose.
All sorts of people were in and around the demonstrations and battles that followed and many of them will appear later in this story.
Kabul was trying to imitate the West in other ways. Abdul Habib Aziz had recently opened the only supermarket in Afghanistan.
Then in the spring of 1971 one of Italy's leading conceptual artists turned up in Kabul and decided to buy the building above Mr Aziz's supermarket and turn it into a hotel.
The artist was called Alighiero e Boetti. Boetti is a fascinating and mysterious figure. He was part of the artistic avant-garde that emerged from 1960s radicalism in Italy. 
Boetti was fascinated by chance and randomness. He would post letters to other artists he knew with the wrong address and then show the ones that were returned. His works often had secret codes built into them. Some of the codes have been cracked, others remain mysterious. No-one knows if the hotel was a conceptual art-work in itself or just somewhere for him and his friends to stay. But what is certain is that Boetti saw in Afghanistan a way of solving what he saw as the central crisis in the West, the overwhelming belief in the individual as an inspired creator.
Boetti had started as a member of the Arte Povera group. Like many avant-garde groups at that time they wanted to challenge the 'system', and to do that they attacked the notion of self-expression and the creation of things and objects - which they believed was central to consumer capitalism. Boetti said that what he saw in Afghanistan was the opposite. It was a country empty of created things.
"Afghan homes, for example, are empty: no furniture therefore no objects commonly placed on furniture. There are only a few carpets and mattresses on which people lie down, drink, smoke and eat. I also like the fact that Afghans wear the same clothes at day and at night. Nothing has been added to the landscape. Rocks are moved and used to build cube houses. The resistance with which Afghans oppose our civilisation has always amazed me."
Following his principles Boetti found Abib and Fatima. They were embroiderers, and he gave them maps of the world as it was then in 1971 with all its borders. It was, he said, a given diagram of power in the world. He asked the two women to create a series of embroidered maps where each country would be coloured by its own flag. After that Boetti said, I did nothing. And 500 women started making the maps overseen by Abib and Fatima.

Just as the Afghan student revolutionaries had strange dreams of the west which they were going to try and impose on Afghanistan, so Boetti was trying to use a strange fantasy version of Afghanistan to free himself from the conventions of the west.
Meanwhile the BBC crew had moved location along the road to Jalalabad. They were retracing the terrible retreat of British soldiers when out of 16,000 only one man made it the 115 miles. Again the BBC used local tribesmen to act out the massacre - showing how their ancestors had poured fire down on the terrified British soldiers.
The tone of the BBC programme is of its time. It is determined also to show the dark side of the British Empire, the horrific acts of cruelty ordered by the British high command. It is saying - we may have lost an empire but we have become better people, and such horrors will never happen again.
At the end of the film is a scene showing how the British would tie Indian rebels to cannon muzzles and blow them to pieces. But a few years ago that section was edited out and you have to get special permission to show it. Things had changed again.
It is very horrific and absolutely not for the squeamish, but if you want to have a look at it - here it is.
As the BBC were filming a group of students from Nottingham University drove past. They were a group of mountaineers who were on their way to their first expedition outside Europe. They were going to climb a peak in the Hindu Kush called Koh-i-Khaaik. Their leader was called Peter Boardman. He would become one of the world's most famous climbers, but this particular trip was going to go terribly wrong.
In 1977 Boardman recorded a description to camera of what happened both literally, and inside his own mind during his terrifying ordeal. And how Afghanistan had haunted him ever since.
TO BE CONTINUED
I am researching the extraordinary history of the West's relationship to Afghanistan over the past 200 years. It is a very complex, and sometimes weird, story. These are notes on some of the characters and episodes involved.
Part One - 1971
There are many individuals and fragmentary events that have led to the present situation in Afghanistan. But there was a moment in 1971 when four separate things happened in and around Kabul that in their different ways reached back into the past and forward into the future.
That year the BBC sent a film crew to Kabul to recreate the first great military disaster of the British Empire - the retreat from Kabul in 1841. The BBC began by gathering Afghan tribesmen together to be extras. They acted out being taught cricket by the British. The Afghans then pretended to be fierce rebels storming out of the Kabul Bazaar to attack the British camp outside the city.
The BBC's adviser was Louis Dupree.

He was an American who had lived in Kabul since 1955. He will appear in many different ways in this story. But for the moment all you need to know is that he had once walked the route of the British retreat alone in winter, and also that he knew everyone in power in Kabul.Dupree had noticed that the demonstrations by the students at Kabul University were increasing, and often degenerating into fights. At the end of 1970 he took a photograph of one. It is grainy and indistinct, but he had caught a moment which was to have immense consequences for everyone in Afghanistan, and around the world.

Kabul university had been created by the West, in particular by America and West Germany.

Then the Soviet Union decided they had to pour money in too. So they built the enormous Kabul Polytechnic.

Both were seedbeds for western ideas, Foreign students and teachers from the west had flooded in
and with them came the modern revolutionary ideas from the campuses in Europe and America. And very quickly the Kabul students set up a wide range of Leninist and Maoist groups.Dupree had captured the moment when those groups had begun to confront a new group of revolutionaries on campus. They were the Islamists. The Islamists too had taken revolutionary ideas from the West but they had fused them with Islam. One of the Islamist groups had found a poem written by a Leninist student that praised Lenin using a term reserved only for the prophet Mohammed.
They sneakily showed it to a group of conservative mullahs in Kabul and all hell broke loose.
All sorts of people were in and around the demonstrations and battles that followed and many of them will appear later in this story.
Kabul was trying to imitate the West in other ways. Abdul Habib Aziz had recently opened the only supermarket in Afghanistan.
Then in the spring of 1971 one of Italy's leading conceptual artists turned up in Kabul and decided to buy the building above Mr Aziz's supermarket and turn it into a hotel.
The artist was called Alighiero e Boetti. Boetti is a fascinating and mysterious figure. He was part of the artistic avant-garde that emerged from 1960s radicalism in Italy. 
Boetti was fascinated by chance and randomness. He would post letters to other artists he knew with the wrong address and then show the ones that were returned. His works often had secret codes built into them. Some of the codes have been cracked, others remain mysterious. No-one knows if the hotel was a conceptual art-work in itself or just somewhere for him and his friends to stay. But what is certain is that Boetti saw in Afghanistan a way of solving what he saw as the central crisis in the West, the overwhelming belief in the individual as an inspired creator.
Boetti had started as a member of the Arte Povera group. Like many avant-garde groups at that time they wanted to challenge the 'system', and to do that they attacked the notion of self-expression and the creation of things and objects - which they believed was central to consumer capitalism. Boetti said that what he saw in Afghanistan was the opposite. It was a country empty of created things.
"Afghan homes, for example, are empty: no furniture therefore no objects commonly placed on furniture. There are only a few carpets and mattresses on which people lie down, drink, smoke and eat. I also like the fact that Afghans wear the same clothes at day and at night. Nothing has been added to the landscape. Rocks are moved and used to build cube houses. The resistance with which Afghans oppose our civilisation has always amazed me."
Following his principles Boetti found Abib and Fatima. They were embroiderers, and he gave them maps of the world as it was then in 1971 with all its borders. It was, he said, a given diagram of power in the world. He asked the two women to create a series of embroidered maps where each country would be coloured by its own flag. After that Boetti said, I did nothing. And 500 women started making the maps overseen by Abib and Fatima.

Just as the Afghan student revolutionaries had strange dreams of the west which they were going to try and impose on Afghanistan, so Boetti was trying to use a strange fantasy version of Afghanistan to free himself from the conventions of the west.
Meanwhile the BBC crew had moved location along the road to Jalalabad. They were retracing the terrible retreat of British soldiers when out of 16,000 only one man made it the 115 miles. Again the BBC used local tribesmen to act out the massacre - showing how their ancestors had poured fire down on the terrified British soldiers.
The tone of the BBC programme is of its time. It is determined also to show the dark side of the British Empire, the horrific acts of cruelty ordered by the British high command. It is saying - we may have lost an empire but we have become better people, and such horrors will never happen again.
At the end of the film is a scene showing how the British would tie Indian rebels to cannon muzzles and blow them to pieces. But a few years ago that section was edited out and you have to get special permission to show it. Things had changed again.
It is very horrific and absolutely not for the squeamish, but if you want to have a look at it - here it is.
As the BBC were filming a group of students from Nottingham University drove past. They were a group of mountaineers who were on their way to their first expedition outside Europe. They were going to climb a peak in the Hindu Kush called Koh-i-Khaaik. Their leader was called Peter Boardman. He would become one of the world's most famous climbers, but this particular trip was going to go terribly wrong.
In 1977 Boardman recorded a description to camera of what happened both literally, and inside his own mind during his terrifying ordeal. And how Afghanistan had haunted him ever since.
TO BE CONTINUED









As the police stood outside, Amin decided he really would stage a coup. He used his children to send out instructions to the revolutionary cells he had built up in the Afghan military, and within hours tanks began to rumble towards Kabul and the Presidential Palace.
Madison was full of foreign students. One of the leading leftists Nina Serrano - who called herself "A Madison Bohemian" - described them in the 1950s:
The key figure at Madison was an historian called William Appleman Williams. He was determined to create a new framework for radical politics so it could escape from the trap of the Cold War - the conflict of two giant monoliths. He did this by reaching back to a forgotten radical tradition in America, Progressivism.
Appleman Williams awoke the ghost of La Follette and remade Progressivism. It became not just a battle against bankers and corporations, but also against the giant structures erected by governments on both sides in the Cold War. It was a struggle of the individual against a new totalitarianism run by Soviet and American elites that was crushing both their peoples' freedom through fear.
After many adventures Harlan ended up running Dost Mohammed's army for him. And in 1838 Harlan set off on an epic journey north from Kabul to defeat a rebellious warlord. Harlan led the way seated on an elephant. As they crossed a mountain pass Harlan saw a small animal peering at him and he asked the Afghans what it was. They told him it was called a "mountain ant". It was a marmot. Harlan decided to keep it, and he rode on to war with the marmot in his pocket.
For centuries the Hazara had been an oppressed minority. Their leader, Mohammed Reffee Beg, asked Harlan to help him conquer his enemies. In return he made Harlan the Prince of Ghor, the new leader of the Hazara people.
Amin now had what he had always wanted. Supreme power. He tried to prove how nice and open he was by publishing a list of 12,000 people who had been killed in the purges. The only problem was that many Afghans have similar names - there are thousands of Mohammed Alis and Abdul Mohammeds - and tens of thousands of people descended on the Ministry of Interior desperately wanting details.
Zahir Shah loved to show off how modern his country was. The key place was the Kabul International trade fair in 1956. Here is a picture issued by the King showing the site glowing at night.
But the fair became a battle in the Cold War. The Americans discovered that the Russians and the Czechs were planning giant pavilions but the United States had nothing. Then they found a visionary designer called Buckminster Fuller. Fuller had designed vast radar domes in the Arctic as part of America's nuclear early warning system. These domes watched the whole world in case the Soviets launched their Intercontinental Ballistic Missiles.
Now Buckminster Fuller was given his chance in Kabul. Here he is telling the story.
It didn't all go well. Soon after the first jet, a Boeing 727, was delivered to Ariana it crashed into a house outside Gatwick airport. It was 1.30 in the morning in January 1969. There were 66 people on the plane, 50 died.
The Intercontinental was perched above the city with wonderful views. It was where the western businesspeople, the diplomats and the rich tourists all stayed. But it also quickly became the place for the Kabul elite to go - for tea, for parties, and for weddings. They were the modern people of Kabul who were helping to make the King's vision come true.
The hippies didn't see themselves as tourists. They thought they were against western capitalism and imperialism. But this was a comforting story they told themselves to hide from themselves that all this experience was only possible because of their immense political power. They too were part of the dominion of the west. 
In 1973 the King of Afghanistan got hit in the face by a volleyball. His doctor told him he was fine, but the King didn't trust Afghan doctors. So he flew to London to see an eye specialist. Here is the US ambassador telling Washington what has happened.
Then the King went to a rest cure in Italy, and while he was having a mudbath in Ischia off the coast of Naples his cousin (who was also his brother-in-law) deposed him.
Azam set out to plan his assault on the Intercontinental. There was no sheet music in Kabul, and Azam couldn't really read music anyway. So he listened over and over again to his favourite song on cassette tape until he had worked out all the parts. And then he gave it to the band. It was Nights in White Satin.
But things didn't get off to a very good start. Here is some audio of the beginning of the festival. The whole thing was recorded by the American anthropologist Louis Dupree. The festival is introduced by Helmut Gaisberger who was the food and beverages manager of the Intercontinental hotel. Louis Dupree's voice begins it.
Sadly there seem to be no recordings left of the Blue Sharks. Danny Hilario (bass) says that his younger brother Chris Jr (drums) accidentally taped over the only cassette he had of one of their performances.
Plus a recording of The Amateurs with Ahmad Zahir singing and playing the accordion. The music is an extraordinary collage. It includes Indian classical and Persian, plus the beginnings of a pop beat sensibility, all mixed with a marching drum sound which musicologists say comes from the Afghans hearing the British military bands in the 19th century.
And here is a song he did with Zhela called Gufte Ke Mebosam Tura which I think conveys that feeling.
And he had also embraced the new phenomenon of the pop video or "promo". Below is a link to one of the two he made - with the requisite late-psychedelic video overlays. Its a song called Khuda Bowad Yaarit.
Meanwhile the Neoconservatives brooded. It was obvious to them now that they were going to have to take the final step and ally with the Republicans. Norman Podhoretz became one of the leading members of the Committee on the Present Danger. Here is a bit from one of the films made by the Committee - trying to convince America that the Soviets were preparing to take over the world. Most of the film is incredibly boring but at the end they include a speech given in America by Alexander Solzhenitsyn and the voice-over translation gets more and more hysterical.
When she was cutting President Reagan's hair they talked about what was happening in Afghanistan and the terrible effect the Soviet invasion was having. Zahira urged the president to send the mujahideen Stinger missiles that could shoot down the Russian helicopters. The president said he would go away and think about it.
Yegor Gaidar's grandfather was one of the heroes of the Russian Revolution. He was called Arkady Gaidar. In private he was haunted by the terrible memories of how at the age of 14 in the Red Army he had brutally killed people in the civil war as he suppressed anti-communist rebels. He wrote in his diary:
In 1941, Arkady Gaidar volunteered to fight the Nazis. But he was killed in the first few weeks. "Timur and his Squad" became the most popular children's book in the Soviet Union ever.
Benazir Bhutto was the daughter of Pakistan's most famous and charismatic politician, Zulfiqar Ali Bhutto.
And behind her was the power and confidence of one of the great feudal dyansties of the Sindh province. This is her grandfather Sir Shahnawaz .
But then it went wrong. Many of Bhutto's reforms failed. His government was riddled with corruption. To hang on to power Bhutto rigged the next election, and amid mass violence his favourite general, General Zia, took power in a coup.
Then Murtaza created a terrorist wing called Al Zulfikar. They let off some bombs in Karachi, and in March 1981 they managed to hi-jack a PIA plane (only because the X-Ray machines weren't working at Karachi airport). The plane landed at Kabul when everyone was away in Moscow at the 26th Communist Party Conference in Moscow.
But Yegor had decided that all of Russia and its empire had now become The Zone.
At the same time Shahnawaz Bhutto was found dead in his apartment in Cannes on the Riviera. It was where he and his Afghan wife Rehana Fasihudin had gone after being thrown out of Kabul.
Rehana said Shanawaz had committed suicide by eating a cynaide pill left over from his terrorist operation. But Benazir Bhutto didn't believe her. According to Benazir there were signs of violence and his papers had been searched and Rehana seemed to have done nothing to help him. Benazir was convinced he had been assassinated and she speculated that Rehana might actually be an agent for the Pakistan Secret Intelligence Agency, the ISI.
Here is Gaidar at a press conference announcing the start of his plan. All price controls would be removed overnight. And all state enterprises woud be privatized. It is followed by a bit from an interview with Gaidar the day the scheme began. He is aware of the irony that he and Yeltsin were going to use harsh political powers in order to destroy the power of politics in Russia.
Then the British played into his hands. In May 1919 our army, led by Brigadier-General Dyer, massacred hundreds of civilians in Amritsar in the Punjab province over the border from Afghanistan. It was a defining moment for the British Empire. The harsh reality of Britain's dominating will smashed through the liberal fantasy of working in partnership with the new nationalism that had risen up in India.
And amazingly Amanullah got what he wanted. Within a month he had fought the British to a draw. A ceasefire was called and at the Treaty of Rawalpindi the British gave Afghanistan its independence - promising never to meddle with it or try and control its foreign policy again.
Mahmud Tarzi was a journalist and intellectual who believed that the modern revolution Amanullah had begun could lead to a pan-Islamic state running from Pakistan to Syria. Tarzi had begun writing for a Kabul newspaper called Seraj-al-Akhbar - the Torch of News. He used the paper to put forward his argument that Muslim countries would only liberate themselves if they could fuse Islam with the modern world that had been created by the Western powers.
King Amanullah was captivated by Tarzi's ideas - and he set out to build the new modernised Islamist society. In 1923 he created a new Afghan constitution which introduced modernist reforms including new systems of education for both boys and girls, equal rights, and it overturned the strict dress codes for women.
For a brief period this new modernised but Islamist society flourished in Kabul. Despite protests and rebellions in the countryside the ideas of Tarzi took hold in Afghanistan. The world around King Amanullah's court became an interweaving of western dress and manners and a reformed Islam.
Then an armed revolt began. There were risings across the country and they developed into a vicious civil war. Amanullah fled to Kandahar. He knew that his attempt at modernization had failed and to save himself he tried to prove that in reality he was a traditional Islamic monarch. He did it in a final dramatic gesture.
It was all over.
Here is part of a programme made with Group Captain Lister in 1980. It interviews him and shows sections of his film. It is absolutely fascinating. It is not only an extraordinary record of a forgotten war - but as you watch Lister talk about bombing villages you can't help thinking about today.
And here is Montgomery McFate as she now presents herself on
Montgomery grew up to be a serious anthropologist who liked to study conflicts. In the early 1990s she says that she went and studied the Provisional IRA and the British soldiers in Belfast. And wrote a thesis about how they saw each other.
And from then on - as McFate showed - anthropologists became the handmaidens of power struggles, espionage and treachery throughout the 20th century.
He had worked as a spy throughout World War One for the US government, using his fieldwork as cover. And here is the vast temple in the Mayan jungle that he uncovered.
Then in World War Two many anthropologists joined the Office of Strategic Services - the predecessor to the CIA. The most famous was Gregory Bateson who used his ethnographic knowledge to produce "black propaganda" in the Pacific.
And Mead's alleged lover - another anthropologist, Ruth Benedict, did a fascinating study of the Japanese mind. She convinced the senior US military commanders and President Roosevelt and President Truman that the Japanese were "culturally incapable of surrender" and would fight to the last man.
To do this Lansdale employed anthropologists to research into the fears and beliefs of the Huk rebels. He then used the information ruthlessly to create more fear. He described how he used the terror of vampires.
Marshal Ky had little interest in democracy. He was also an admirer of Adolf Hitler. He took power in 1965 at the point when American attempts to pacify South Vietnam had failed utterly. Vietcong terrorists were letting off bombs all over Saigon - even in the US Officers Club and the US Embassy in the heart of the city.
Paula Bronstein, Getty Images
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