Announcement

Collapse
No announcement yet.

Ghani Khan, The Gallant Expressionist of Aestheticism

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Ghani Khan, The Gallant Expressionist of Aestheticism

    Ghani Khan is not only being deeply revered among the Pakhtuns because he was the son of the greatest Pakhtun national hero, Bacha Khan, but because he earned a splendid place for himself among the four greatest contemporary poets of the 20th century; the other two being Hamza Shinwari, Qalandar Momand and Ajmal Khattak. His poetry, prose, sculpturing and paintings manifest audacious expressions of his true, veracious and rather unorthodox feelings, which put him distasteful in the conventional, traditional and dogmatic religious strongholds. His philosophy regarding worldly pleasures, and heavenly allures, was in dire contradiction to the beliefs of the conservative class of the people.
    Khan Abdul Ghani Khan also known as "Lewanay Falsafi" was born in January 1914 in village Utmanzai (Charsadda) situated in Hashtnagar. He was the eldest son of the legendary Pakhtun reformer and freedom fighter Khan Abdul Ghaffar Khan, alias Bacha Khan. His other two brothers Wali Khan, a noted politician and stepbrother Ali Khan, a distinguished educationist, also excelled in their respective fields. His mother Mehar Qanda belonged to the nearby Razar village, who was married to Bacha Khan in 1912. Ghani Khan was only five years old when his mother died in an epidemic.
    Ghani Khan received his elementary education from an "Imam" of a local mosque, as was the practice in vogue at that time and then he was admitted in National High School Peshawar but when his illustrious father established Azad School in Utmanzai in 1921, Ghani was also admitted in this school.
    He matriculated from Punjab University in 1927 and was sent to Delhi University for Islamic and Traditional Education, but when the Mullahs conspired against the moderate Amir Aman-ullah Khan of Afghanistan on the behest of Firingis, Bacha Khan took him out of the Delhi University in sheer disappointment from the role of the clergy. Ghani Khan was sent to England for getting western education at the tender age of 15 years. He was then sent to Louisiana (USA) for Specialization in Sugar Technology. Ghani Khan's sojourn to Europe and America left immense western and liberal imprints on his life and Personality. He was awfully handsome in appearance and masculinity, which often created inconveniences for him.
    Bacha Khan was not pleased with his western adaptations and earnestly desired to instill in him indigenous love and affections for his soil and native culture, therefore he was sent to Jawahir Lal Nehru to U.P who generously accommodated him in the room of his father,Moti Lal Nehru for eight months. Nehru's most adored daughter Indra Pryadarshni took extra care to look after him during his stay in her house. She later rose to her zenith as a shrewd state-woman and Prime Minister of India for two terms, commonly known as Indra Gandhi.
    Jawahir Lal Nehru admitted him and his daughter Indra, in an educational institute established by the Nobel Laureate Rabindernath Tagore in Bengal, where they studied journalism, in 1937. Ghani Khan was attracted, besides journalism, towards paintings and sculpturing under the patronage of the head of the Arts school, Nand Lal Bose. Ghani Khan admits that he rediscovered himself and the glory of his culture in this Institution. In December 1937, Ghani Khan met an elegant lady, Roshan, the youngest daughter of Nawab Rustum Jang of Hyderabad Daccan in Bombay and fell in immense love with her. They married on 24th Nov, 1939 and after six years of intense romance, Roshan embraced Islam. Ghani Khan kept her in high esteem, affection and passionate love throughout her life.
    Ghani Khan had three offspring from his beloved spouse, two daughters, Shandana, Zarin and a son, Faridoon. Ghani Khan joined a sugar mill in the United Provinces and was promoted as Chief Chemist. Later he got employed in Frontier Sugar Mills Takht Bhai as a technical Manager but resigned in 1943. He was elected as the youngest member of the Central Legislative Assembly in 1945 and soon won acclaim as a good parliamentarian due to his oratory skills. The visitor's gallery used to be full to the capacity on the eve of his speech and the members of the assembly would rush to take their seats not to miss his wits.
    He founded a semi military group in 1947, consisting of enthusiastic Pashtun youths, called "
    Zalmay Pukhtun", which watched discipline in the moots of the "Khudai Khidmatgar", a freedom movement launched by his father, Bacha Khan. He underwent imprisonment several times due to his political activities. He spent his first term of six years in jail from 1948 to 1954 under 40 FCR, which proved a blessing in disguise to arouse him to author his first poetic collection, "Da Pinjray Chaghar" (Chirping in The Cage), during his detention in the prison.
    In literature, Ghani Khan is regarded like a deep ocean replete with wide variety of precious gems. His literary firmament displays a grand multitude of reflections, ranging from ecstasy, exhilaration, passion, carnal love, divine love, love for the soil and his people, yearning for gallantry, liberty, humanism, satire for hypocrisy, ridicule for mullahs and other philosophical allegory, the later being beyond the comprehension of a common mind.
    He wrote a permanent comic column, "
    Gadde Wadde" under the assumed name of "Lewanay Falsafi", in the reputed "Pakhtoon" journal, which was published by Bacha Khan from 1928 to 1947 as a mouth organ of "Khudai Khidmatgar Movement". He held slavery and subjugation as the biggest curse on the earth. "Pakhtoon" carried his famous poem to this effect, permanently on its front cover; which goes as:

    "Ka Khaazey shney me pa qabar wee walaare
    Ka Ghulam mar yam, Razai Tokay pe Laare
    Ka pa khpalo weno na yam Lambedale
    Pa maa ma paleetaway da Jomat ghaare
    Yaa ba daa benanga mulk baghe adan karam
    Yaa ba kram da Pukhtano kosey Wejaare."

    Ghani stands out a staunch Pakhtun from the realm of his ecstasy, fantasy, wine, women and mirth when he reaches the cross road of his true identity. Ghani Khan has immensely ridiculed and scorned hypocrisy, and religious dogma of pessimist mullahs, as he addresses, "
    Janab-e-sheikh", as under;

    "Zra de duk de da khpal zana Pake zay nishta da Yaar
    Dasay dak de da naiko na Laka dak da maro khaar
    Dwara stargay de randey dee Da bal bud da zaan kha wayee
    Tal aina ke zanta gorey Da yaar na weney singaar
    Shunde sta uzgarey na dee Che siffat da ashna wakray
    Da khpal noor qaseeday waye Pa koosa ke da dildaar".

    Ghani Khan is outrageously excited when he sprouts his deepest hatred and skepticism for mullah as a symbol of inert mentality, as he says;
    Raasha raasha saaqi raasha Darray darray mullah darray
    Pa maa bande bade lagi sta pakhe pakhe khabaray
    Ghata paga de sha khawray Ajeeba ta zanawar yee
    Ta da meenay be-khabara Ta da husan na munkar yee
    Daa mehfal de da randano Aakhwa aakhwa Laray laray
    da sharabo da sko ba di Sta tarkhe shunde babaray
    Sta awo wara janatoona Da dey yao da naz basaray
    Sta salwaikht zara kitaba Da dey dwa khwage khabaray
    Sta waade ogde da hooro Dalta sre shunde shakaray
    Taa la qaraz jondoon darkram Daa rakayee pa malghalaray
    mashoom na yam che janat pregdam sta da soor dozakh da yaray
    Janana mekhana darkam, Wakhlum sta kandi kapary.


    Ghani Khan like Omar Khayyam would prefer to enjoy the pleasures of this world than to aspire for the enjoyment of the next, as expressed in the following couplet;
    "Some for the glories of this world,
    and some sigh for the prophet's paradise to come
    Ah, take the cash and left the credit go,
    Nor heed the rumble of a distant drum!"
    Ghani Khan has also juxtaposed eternal love, beauty and truth with his carnal feelings and worldly passions, which he has dwelt at length in his poetry. He has created three collections of Pashto poetry; namely "Da pinjray chaghaar","Latoon", "Palwashay" and "Panoos". His works have been amalgamated in 1995 in a voluminous book, "Da Ghani Kulyaat". He has also compiled a book in English, named, "The Pathans", which deals with the Pathan's ways of life.
    This great expressionist and true aesthete died on 15th March 1996 and was buried the next day on 16th March, in his ancestral graveyard in Utmanzai. He greeted his death with bravery as he had predicted;

    "Margay"
    Margay de Raashi , Che kala ye wass wee
    Gul ba me laas ke wee, Ao yaa ba uss wee
    Yaa ba topak wee, Yaa ba qalam wee
    Doob ba khanda kee Da dunya gham wee
    Che sa me bakht wee, domra ba bass wee
    Margay de raashi, Che kala ye wass wee.

  • #2
    Abdul Ghani Khan & John Keats--A comparative study is a book which contains Ph.D thesis of Dr. Shazia Babar ,published by Pashto Academy University of Peshawar, which unveils the life and works of Abdul Ghani Khan and John Keats, the distinguished Romantic poets of Pashto and English Literature respectively, in a comparative study. The only thing which seperates these two great romanticists is the languge of their expression.
    The Introduction to the Book adds;
    Both Keats and Ghani Khan have been found to be similar in so many ways particularly in their love for Beauty,Nature and the Eternal i.e God. Their philosophies regarding a strong relationship between Beauty, Truth and Love is uncanny and intriguing. For in their eyes Beauty,Truth,and Love all lead to the Eternal. To them all three are synonymous. This importance is all the more vividly seen in Keats "Ode on a Grecian Urn",which he ends with these significant lines that are now famous:
    Beauty is truth,truth beauty,that is all
    Ye know on earth, and all ye need to know.

    This is also what Ghani means when in one of his verses he says:
    Husan de bas husan che hum Khuday ao hum janaan de
    Dey faani makan ke bal mashal da laa makaan de
    Yao da gulaab makh ke che khkaraa kom jawaboona dee
    Nishta yao hum nishta da mantiq pa kitaaboono ke
    "
    Dr. Salma Shaheen adds in the Foreword, " Ghani is a lover of beauty and nature. On the wings of his imagination he talks of romantic lands of happiness in palaces, of Laila, Wine, Masti and Music. But consciously he gives voice to the bitter realities that is why he is called by numerous nomenclatures like the poet of beauty and love and the Crazy Philosopher."
    Dr. Shazia Babar elaborates in her Thesis, " Both Keats and Ghani believed that man could reach divinity in this life on condition of losing one's selfhood and reach a place of complete happiness as Keats says:
    Wherein lies happiness? In that which becks
    Our ready minds to fellowship divine,
    A fellowship with essence; till we shine,
    Full alchemiz'd, and free of space.
    For both these two romantic poets love was the pinnacle of happiness. The main reason for the universality of appeal is that their message was love, which is a feeling that enjoys popular appeal with all ages and times. As Ghani says;
    Meena husan jor kree bya pre shee meena , meena
    Meena lewanay daa lewanay daa meena meena
    .
    In another occasion, Ghani scolds Mullah for his hypocracy and says;
    Da Mulah ebadat kasab
    Pasedal ao kenastal
    Da halwa pa armaanono
    Tal Allah Allah kawal
    Da Mulah meena ajeeba
    Da GHani ebadat meena
    Zaan janaan ke wrokawal."

    Comment


    • #3
      Ohhhh!! EVERYTHING related to Ghani makes me smile! It's a smile reserved only for Ghani-related sayings, comments, works, thoughts . . .

      I've found an interview of Ghani online. Can I post that here under your posts, Ijaz wrora?

      Comment


      • #4
        Originally posted by Qrratugai View Post
        . .

        I've found an interview of Ghani online. Can I post that here under your posts, Ijaz wrora?
        My pleasure!

        Comment


        • #5
          Originally posted by ijaz yousafzai View Post
          My pleasure!
          Sakhi Arsala khana pa kher. Thanks for uploading this article about ghani khan.

          Comment


          • #6
            Many thanks for sharing!!! Everything about Ghani Khan Baba touches my heart except the lame denunciations.
            By the way, who are the authors of the two articles?
            "O Pakhtuns!, Your house has fallen into ruin, let us rebuild it".
            "I want to see my people educated and enlightened. A people with a vision and a strong sense of justice, who can carve out a future for themselves in harmony with nature".

            Comment


            • #7
              qratugai we are eagerly waiting,

              Also if we were a millionth of a person or pakhtun as ghani khan was, we would be ruling the world.

              sangar before you start, he drank so what he forgave the guy who killed his son how many of us will do it??
              We never really grow up, we only learn how to act in public.

              If I agree with you we w'd both be wrong.

              Be good, If you can't be good be lucky

              Comment


              • #8
                yarra Sangar tsa khabar de, manra hassay bak bak kawee.
                Charta Ghani Khan ao charta de sangar pa shan mashrotan. Bas hagha Ghalib waee kanna,

                Hassay khpal nom de ghani khan sara lagwal ghwaree, che gani za kho de ghani khan dukhman yamma.

                Ghani Khan an intellectual which Pashtuns need much to come out of Chaos.

                His personality is so great that difficult to discuss him for people of intellect like ours. We can just feel him around us and can take guidance and strength from his thoughts, poetry and intellect.

                Comment


                • #9
                  I absolutely agree! If we were even half of what Ghani (Allah be pleased with him) was, we'd be among the most prosperous people on earth. And it's not like Ghani had no concern for religion or God, so anyone who thinks that being like him would mean being heretics or kafir or whatever. Ghani's conversations with God are something to be treasured! They have the power to inspire the most godless creatures on earth, maybe not to make them God-believers but just to make them at least look into the idea of God. Ghani's concept of God is also something to take note of (not sure if he's written anything on that, but we can assume from his splendid poetry).

                  And the interview I was talking about, I'm thinking to put it as another thread. Here: http://www.pashtunforums.com/literat...009/#post87671
                  Last edited by Guest; 07-17-2010, 07:34 PM.

                  Comment


                  • #10
                    Ya Qrattugai, he is making koh-e-toor in hashtnagar for talking to his beloved Allah.

                    Da ghani na hashanghar ke, oochat ghat ta da toor ghwaray

                    Comment


                    • #11
                      Originally posted by gulalai View Post
                      Many thanks for sharing!!! Everything about Ghani Khan Baba touches my heart except the lame denunciations.
                      By the way, who are the authors of the two articles?
                      I am the author.

                      Comment

                      Working...
                      X